COMING SOON.jpg

FWW FALL WORKSHOPS

FWW LOGO 2021.png
FWW FALL Workshop REVISED PROMO.png

WORKSHOP PRESENTERS & DESCRIPTIONS

CLICK ON ANY NAME ABOVE TO VIEW THAT PARTICULAR PRESENTER

FALL Workshop for :

SATURDAYS - 6 pm to 7:30 pm

September 11th, 18th, 25th
and October 2nd  2021

HOW THEY MUST HAVE FELT: Developing an Emotional Landscape in Fiction

Clarke, B - NEW 2020 .jpg

Photo Courtesy of hobartfestivalofwomenwriters.blog

Authors often face empty spaces when researching the past for the voices of people outside of the racial, social, and economic mainstream of American history. Faced with incomplete historical records, fiction writers must speculate about the past, filling in the interior lives of people left out of narratives.

 

The process of constructing these interiors requires reimagining geography, history, sociology, etymology and the uses of slang. What techniques can the fiction writer employ to create voices of the past? 

 

Participants will learn techniques to get started laying out an interior landscape for their fiction including research strategies for jump-starting the writing process.

 

The workshop will run via Zoom on September 11, 18, 25 and October 2nd. The maximum for this class is 15 participants.  A minimum of 6 participants is needed to run the workshop.

The fee for this Workshop is $100. 

Breena Clarke is the author three novels, most recently completed, Angels Make Their Hope Here, set in an imagined mixed-race community in 19th century New Jersey. Breena Clarke's debut novel, River, Cross My Heart, was an October 1999 Oprah Book Club selection.

 

Her critically reviewed second novel, Stand The Storm, is set in mid-19th century Washington, D.C. Her short fiction has appeared in Kweli Journal, Stonecoast Review, Nervous Breakdown, Mom/Egg Review, and Catapult, as well as, Like Light: 25 Years of Poetry & Prose by Bright Hill Poets & Writers.

 

Breena has contributed an essay to IDOL TALK: Women Writers on the Teenage Infatuations That Changed Their Lives. Breena is most recently co-editor of CHICKEN SOUP for the SOUL I’M SPEAKING NOW: BLACK WOMEN SHARE THEIR TRUTHS IN 101 STORIES OF LOVE, COURAGE AND HOPE to which she has contributed two personal narratives.

 

Breena Clarke has been a member of the fiction faculty of Stonecoast MFA in Creative Writing since 2013.  She is also co-founder and co-organizer (with Cheryl Clarke and Barbara Balliet) of The Hobart Book Village Festival of Women Writers now entering its ninth consecutive year of celebrating the work of women writers in Hobart, New York.

Visit Breena at:  www.breenaclarke.com

FALL Workshop for :

Mary Johnson

SATURDAYS- 4 pm to 5:30 pm

November 6th 13th, 20th & 27th, 2021

WRITING A GREAT
SEX SCENE

Johnson NEW - CROPPED.jpg

Photo Courtesy of aroomofherownfoundation.org

Writing sex offers very specific challenges. The first week, we’ll examine some great and not-so-great sex scenes from both fiction and nonfiction, uncovering together the principles of great sex writing (whether or not the sex we’re writing about is great).

 

I’ll offer short out-of-class writing exercises before weeks two through four. In class we’ll look at your writing, offering each other respectful feedback. As time allows, we’ll include some spontaneous in-class exercises as well.

 

Though the examples I’ll offer will focus on prose, the principles offered are also applicable to drama and poetry and can be useful to both beginning and advanced writers — all are welcome. Come ready for fun and for a broad-spectrum discussion.

The workshop will run via Zoom on November 6, 13, 20 & 27. The maximum for this class is 15 participants.  A minimum of 6 participants is needed to run the workshop.

The fee for this Workshop is $100. 

Mary Johnson is the author of An Unquenchable Thirst, a memoir about her 20 years as a nun with the Sisters of Mother Teresa of Calcutta. Her story is featured in a new podcast The Turning: The Sisters Who Left. 

 

Mary has an MFA in creative writing from Goddard College and has written for The New York Times, The Washington Post, USA Today, O the Oprah Magazine, The Huffington Post, Bloomberg View, Religion News Services, and National Public Radio.

 

Mary helped found A Room of Her Own Foundation and is a founding member and host of The Book Canopy. She is a Humanist Celebrant for weddings, funerals, and other rites of passage, and is currently writing about the brain, the mysteries of consciousness, and the illusion of the self. 

Visit Mary at:  www.maryjohnson.co

FALL Workshop for :

FRIDAYS - 6 pm to 7:30 pm

November 5th, 12th, 19th & 26th 2021

WHO GETS TO TELL A STORY?

Nikolopoulos 4 B&W.jpg

Selecting and giving voice to your narrator is as important as plotting what happens to your characters. Through a series of in-class writing exercises we’ll experiment with how different narrators impact viewpoint and tone.

You’ll be given a handy list of narrator archetypes as we explore boundary-pushing inanimate object narrators, nameless narrators, multiple narrators, choruses, and more as we consider voice qualities such as unreliability, omniscience, and epistolary.

 

Along the way, we’ll also ask tough artistic and representation questions about whose stories authors get to tell and with what narrative voice. This writing workshop is open to all genres, and literary references will be provided.  

The workshop will run via Zoom on November 5, 12, 19 & 26. The maximum for this class is 15 participants.  A minimum of 6 participants is needed to run the workshop.

The fee for this Workshop is $100. 

Stephanie Nikolopoulos is a writer and editor based in New York City. She is the coauthor, with Paul Maher Jr., of the biography Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road.”

 

Afar animated her flash travel story “Seeing the Light in Sweden” for their Travel Tales series in 2019, and the Albany International Airport Gallery selected her “Essay after Visiting the Thomas Cole National Historic Site, Written from a Skyscraper” for their Landmarks exhibit in 2018.

 

She currently writes the column “A Byte Out of the Big Apple” for Thomas Insights.

Visit Stephanie at:  www.stephanienikolopoulos.com

FALL Workshop for :

FRIDAYS - 6 pm to 7:30 pm

September 10th, 17th & 24th
and October 1st, 2021

EXPANDING IDEAS: Words Into Poems

Into Artists Books

Rogers NEW

Photo Courtesy of hobartfestivalofwomenwriters.blog

During the first session on September 10, each participant should bring one short poem (no more than 10 lines) in progress.

 

We will workshop each poem and discuss what kind of folded paper/artist book format would work for it. The next three sessions will be devoted to writing short poems and developing more folded paper/artist books.

 

Each participant should have the following materials at hand:  scissors, ruler,  2-3 glue sticks, various colors of fine point and broad point markers (non-permanent). 

 

The workshop leader will send each participant a supply of paper prior to the first session.

 

The workshop will run via Zoom on September 10, 17, 24 and October 1. The maximum for this class is 15 participants.  A minimum of 6 participants is needed to run the workshop.

The fee for this Workshop is $100. 

Bertha Rogers's poetry has been published in literary magazines, journals, and anthologies, as well as in several chapbooks and full-length collections; The Reason of Trees; The Fourth Beast; A House of Corners; Sleeper, You Wake; Heart Turned Back; and Wild, Again.

 

Her translation of Beowulf, the Anglo-Saxon Epic, was published in 2000, and her translation with illuminations of the 95 Riddle-Poems from the Anglo-Saxon Exeter Book, Uncommon Creatures, was published in 2019. Forthcoming is What Want Brings: New & Selected Poems.

 

Bertha founded Bright Hill Press & Literary Center of the Catskills.

Visit Bertha at:  www.BerthaRogers.com

FALL Workshop for :

FRIDAYS - 6 pm to 7:30 pm

October 8th, 15th, 22nd & 29th, 2021

STOP MAKING SENSE: Dream Language In Poetry

Wujnovich NEW.jpg

Photo Courtesy of hobartfestivalofwomenwriters.blog

Dreams can crack poems wide open and access fresh language, take metaphors down paths of discovery that transport the poet and the reader.

 

Dreams can ask to be contained in form or sprawl freely. They can birth poems succinct and surreal.

 

How do we access dreams and use them in poems, transferring the nonsensical into lines of poetry?

 

We will do close readings of poems that use dreams by Emily Dickinson, Lucille Clifton, Ross Gay, and Diane Seuss among others, attempt their techniques, and try our own based on dreams.

Lisa Wujnovich is a poet/farmer who lives and works at Mountain Dell Farm in Hancock, New York. She is the author of two poetry chapbooks, Fieldwork (2012) and This Place Called Us (2008); and a collaborative chapbook with poet, Nancy Dymond and sculptor Naomi Teppich, Dirty Work Carved Earth Complete Breath (2007).  

 

Her poems appear in the anthologies, Ghost Fishing, An Eco-Justice Poetry Anthology (forthcoming), Like Light, 25 Years of Poetry and Prose by Bright Hill Poets and Writers, Creation: An Anthology of Ekphrastic Myth Poems, By the Crown of Their Heads, Poems for Haiti, and Syracuse Cultural Workers Women Artists Datebook, and Vigil for the Marcellus Shale. With Brandi Katherine Herrera, she is co-editor of The Lake Rises, a Stockport Flats poetry anthology on water.

 

She holds a MFA in Poetry from Drew University and a BA in drama from Antioch College.

 

Visit her at:  http://armedwithvisions.com/category/honorary-warrior-poets/lisa-wujnovich/

FALL Workshop for :

Mercy Tullis-Bukhari

SATURDAYS- 4 pm to 5:30 pm

October 9th 16th, 23rd & 30th, 2021

THE PERSONAL NARRATIVE: Finding Beauty in Life-Changing Events Through Words

Tullis-Bukari - CROPPED.jpg

Photo Courtesy of hobartfestivalofwomenwriters.blog

In this course, writers will be choosing a life-changing event to write, using the elements of Freytag’s Pyramid. The process of writing the event as a story will give writers an opportunity to delve into spaces of healing and enlightenment through their words.

 

Writers will be choosing the event that may have felt overwhelmingly negative at the time, through the lens of the emotions that were evident at the time. Writers will then detail the event through the five senses, exploring the lessons that were acquired as a result of that particular event.

 

Writers will learn that all events influence us and shape our identity. Writers will also learn that events that may feel traumatic only offer us opportunities for individual growth, if we open our creative minds for the growth.

The workshop will run via Zoom on October 9, 16, 23 & 30. The maximum for this class is 15 participants.  A minimum of 6 participants is needed to run the workshop.

The fee for this Workshop is $100. 

Mercy Tullis-Bukhari is a poet, essayist, and fiction writer who focuses on the woman experience through individuality, motherhood, and sexuality.

 

She published two books of poetry titled Smoke (Blind Beggar Press, Inc.) and Mango (Ocean Taste Publications). She is a Callaloo Fellow, an MFA recipient in Creative Writing from The College of New Rochelle, and the Poet Laureate of the New York University 30th Anniversary Celebration Gala.

 

Mercy was named one of the “8 Authors Bringing Afro-Latina Stories to the Forefront” by Remezcla magazine and was a Pushcart Prize nominee in 2016 and 2018. Her third book of poetry, The Little Deaths I Barely Have will be published by Get Fresh Publishing in the Spring of 2022.

 

Mercy teaches high school English Language Arts in the Southeast section of The Bronx and is completing her first novel. She currently lives in New Rochelle, NY, with her two children.

Visit Mercy at:  www.mercytullisbukhari.com